Richard Wilson at Annely Juda

When the money or hope runs out, there’s always one medium left: graffiti.

Amie Siegel's 'Strata', at South London Gallery until March 26th

What does the future look like for art online?

What does the future hold for art under Trump?

Nakedness and Nudity at the Photographers' Gallery

'Bad taste is only ever committed by other people'

"Singh wants to show you what’s hidden, and hide what’s on show."

Jacques Nimki on his Plinth commission

New discoveries amongst old friends and Old Masters

16th September - 23rd October 2016

Details of McCallum's immersive origami installation, 'Refraction'.

Alex Webb, Matt Black, Harry Gruyaert and more.

Philipp Ebeling and Olivia Arthur, 'London Ends' and 'Stranger'.

Plinth spoke to Rowan Moore about London, and his latest book.

Details of Plinth's first pop-up gallery, Feb-Mar 2016

Event held 5th July, at Bold Tendencies in Peckham.

Parker's at the Met and the Foundling Museum this summer.

Curated by Martin Parr, 'Strange and Familiar' at the Barbican runs until June 19th

'6 out of 5' is showing until July 9th at White Cube, Mason's Yard.

Plinth spent a May morning gallery-hopping...

Plinth got a preview of the Korean Cultural Centre's newest exhibition.

Halcyon shows Andy Warhol, pop art legend, over three floors in their Mayfair gallery.

'Everything that ought to have remained hidden and secret [...]' become visible' - Friedrich Schelling

Plinth writer Emily Watkins sees 'New Works', on until May 7th.

Richard Wilson discusses his edition 'Still Life Jug', and the nature of the multiple.

Plinth caught the first glimpse of Shrigley's new work in Soho.

Plinth ducks into a beautiful space round the corner.