"When five strangers tapered Tom’s moth-eaten ZZ Top beard, bought him a memory foam mattress, and convinced him to stop wearing jorts, I cried."

"Donald Trump is a big baby. Donald Trump has tiny hands, and he’s full of hot air."

"We dance/ And drink/ And screw/ Because there’s nothing else to do-oo-oo.” Hear hear.

"It’s easy to make fun of A Story Of Opportunity. It’s hilarious." 

Xenos at Sadler's Wells: Akram Khan's last solo performance.

"‘What we are’ is the essential query, raised again and again throughout Lee Bul’s Crashing. Are we our bodies? Are we our gender? Are we where we come from? Are we, perhaps, just a collection of organic materials?"

'It’s not really a question of “do I want to?" or, "could I?”. I do it because I just can’t help myself.'

"We’re borrowing from a visual language more akin to theatre than film."

'This a celly/ That's a tool.'

"It seems women receive the double-edged sword of patriarchy: the trauma on the one hand, and no symbolic index for digesting it in public, on the other."  

"Isn’t there something a bit superficial about it all?"

Interview with Gillian Wearing ahead of the unveiling of her 'Millicent Fawcett' statue in Parliament Square, April 2018

Interview with Bella Freud on her new range, celebrating 100 years of votes for women.

We've worked with Bella Freud and artist Gillian Wearing ahead of the unveiling of her Parliament Square Commission.

Details on Plinth's date-syrup pop-up, celebrating Michael Rakowitz's Fourth Plinth Commission.

Interview with Michael Rakowitz ahead of his Fourth Plinth Commission, March 28th

"Dispense with every backdrop, every symbolic lamb, every ripple of fabric, patron, person."

Eddie Peake's 'Concrete Pitch' at White Cube, Bermondsey.

"These are fables, of a sort."

Examining Paul Thomas Anderson's 'Phantom Thread'

'Journeys With The Waste Land ’ at Turner Contemporary

"In the midst of a politics based on identity, there seems to be a difficulty in separating a creator from the product of the creative process."

Where does religion end and art begin?

Michael Armitage at South London Gallery

Join us and elusive artist Gaetan James at a booth-with-a-difference, January 17-21st

Broadcast your worst trait to the world.

"Richard Wentworth is fascinated by cities."

Greek tragedy for the 21st century