"It seems women receive the double-edged sword of patriarchy: the trauma on the one hand, and no symbolic index for digesting it in public, on the other."  

"Isn’t there something a bit superficial about it all?"

We've worked with Bella Freud and artist Gillian Wearing ahead of the unveiling of her Parliament Square Commission.

Details on Plinth's date-syrup pop-up, celebrating Michael Rakowitz's Fourth Plinth Commission.

"Dispense with every backdrop, every symbolic lamb, every ripple of fabric, patron, person."

Eddie Peake's 'Concrete Pitch' at White Cube, Bermondsey.

"These are fables, of a sort."

Examining Paul Thomas Anderson's 'Phantom Thread'

'Journeys With The Waste Land ’ at Turner Contemporary

"In the midst of a politics based on identity, there seems to be a difficulty in separating a creator from the product of the creative process."

Where does religion end and art begin?

Michael Armitage at South London Gallery

Join us and elusive artist Gaetan James at a booth-with-a-difference, January 17-21st

Broadcast your worst trait to the world.

"Richard Wentworth is fascinated by cities."

Greek tragedy for the 21st century

Plinth's Paris Pop-up, November 1 to December 31 2017.

"Emily Fridlund’s History of Wolves is a story about morality – slippery, shapeless, subjective."

An insider looks back on the 2017 BFI London Film Festival

"What is a corkscrew with no hand to screw it into a cork?"

"At the Gallery of Everything, something incredible is unfolding."

English Gardens, Regent's Park

"When I was seventeen, I went through a phase of sneaking into strip clubs."

Gregory Crewdson at The Photographers' Gallery

Artangel and Miranda July present an interfaith charity shop in Selfridges

Can Graphic Design Save Your Life? at the Wellcome Collection until 14 January, 2018

Franciszka Themerson UBU at Richard Saltoun

Perfume at Somerset House