"In 2018, there are no good guys left to unmask."

"Let's have ourselves an allegory."

"Adolescence is like adulthood with the volume turned right up."

"Who can define when pleasure becomes reliance and when reliance plummets into full-blown addiction?"

On 'the first work of art ever created at auction’, Banksy's Love is in the Bin.

"It feels like iconoclasm, and idolatry at the same time."

'This is the patriarchy in HD.'

Pierre Huyghe's UUmwelt at the Serpentine

Jordan Wolfson's Real Violence at Zabludowicz Collection

"Things really get interesting when it’s time to take Pill B."

Space Shifters at Hayward Gallery

"Check your watch – you’re in a film!"

"It’s a bit harrowing. It’s not Family Guy with a horse."

The Citi Exhibition I Object: Ian Hislop's search for dissent at the British Museum

"A monster is only scary until you check under the bed and see a beetle."

"Society has withdrawn its contract from these young people, can they now be expected to live by its rules?"

When the Venn diagram of comedy and politics becomes a circle, Lee’s gift of a behind-the-scenes tour of one becomes a chillingly clear lens to apply to the other.

"It is possible to be on camera without spouting hate speech or endorsing the arming of toddlers."

On gender parity at Sculpture in the City 2018

“Filter your friends” [...] “you are what you Tweet and Eat”.

"When five strangers tapered Tom’s moth-eaten ZZ Top beard, bought him a memory foam mattress, and convinced him to stop wearing jorts, I cried."

"Donald Trump is a big baby. Donald Trump has tiny hands, and he’s full of hot air."

"We dance/ And drink/ And screw/ Because there’s nothing else to do-oo-oo.” Hear hear.

"It’s easy to make fun of A Story Of Opportunity. It’s hilarious." 

Xenos at Sadler's Wells: Akram Khan's last solo performance.

"‘What we are’ is the essential query, raised again and again throughout Lee Bul’s Crashing. Are we our bodies? Are we our gender? Are we where we come from? Are we, perhaps, just a collection of organic materials?"

"We’re borrowing from a visual language more akin to theatre than film."

'This a celly/ That's a tool.'