Plinth

Magazine

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  Ma Rainey's Black Bottom

  "Boseman is incendiary in his final role"

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  A Limbo in a Limbo: We Are Who We Are

  "hormone-addled awkwardness, ten-huts, and creepy copy-paste suburban housing"

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  Small Axe: Tender Portraits, Forgotten Histories

  "sandwiched between placards and riot shields"

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  We are Living in Roy Andersson's Living Paintings

  "a tickle in the nose with no sneeze"

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  ‘History Is Your Future’

  On Beyoncé’s Black Is King

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  Electronic: From Kraftwerk to The Chemical Brothers

  The Design Museum is the closest we're getting to a nightclub right now

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  Family Romance, LLC

  In his new film, Werner Herzog explores Japan's rent-a-family industry

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  On Monuments and 'Mindful Vandalism'

  As tensions rise over race and heritage, what should we do with those troublesome monuments?

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  I May Destroy You

  Where are the boundaries, who is crossing them?

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  Brief Encounter

  'Perfect viewing for a time of isolation.'

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  Is that your final answer?

  ‘I like the idea that in a world of uncertainties, something can be known.’

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  Looking to Culture in Crisis

  In short, I want to understand an unbelievable situation. I want someone to tell me the story that I’m in.