Art as a veil drawn over truth

This LFW, we examine art and fashion's defining collaborations

If what is most specific is most universal, then Tillmans is a masterful story teller.

What does Russia’s revolutionary art have to tell us about populist politics today?

Richard Wilson at Annely Juda

When the money or hope runs out, there’s always one medium left: graffiti.

Amie Siegel's 'Strata', at South London Gallery until March 26th

What does the future look like for art online?

What does the future hold for art under Trump?

Nakedness and Nudity at the Photographers' Gallery

'Bad taste is only ever committed by other people'

"Singh wants to show you what’s hidden, and hide what’s on show."

Jacques Nimki on his Plinth commission

New discoveries amongst old friends and Old Masters

16th September - 23rd October 2016

'Fishbar is a bit of an anomaly'

Details of McCallum's immersive origami installation, 'Refraction'.

Alex Webb, Matt Black, Harry Gruyaert and more.

Philipp Ebeling and Olivia Arthur, 'London Ends' and 'Stranger'.

Plinth has corresponded with Jaray at length about her practice, her history and influences.

Plinth spoke to Rowan Moore about London, and his latest book.

Details of Plinth's first pop-up gallery, Feb-Mar 2016

Event held 5th July, at Bold Tendencies in Peckham.

Parker's at the Met and the Foundling Museum this summer.

Curated by Martin Parr, 'Strange and Familiar' at the Barbican runs until June 19th

'6 out of 5' is showing until July 9th at White Cube, Mason's Yard.

Piper's gallery opened on May 11th, at 67 Jermyn St.

Plinth spent a May morning gallery-hopping...