Cornelia Parker at Frith Street

Sam Kriss on 'art in a windowless world'

Alex Foley on Queer British Art at Tate

Artist Ashley Sheekey meditates on Mies van der Rohe's Mansion House that never was.

Andrew Munks at the Zabludowicz Collection

Self-assembling sculpture from Anya Gallaccio

A field guide to the fauna of a London Private View

Alice Theobald at Pilar Corrias

Art as a veil drawn over truth

This LFW, we examine art and fashion's defining collaborations

If what is most specific is most universal, then Tillmans is a masterful story teller.

What does Russia’s revolutionary art have to tell us about populist politics today?

Richard Wilson at Annely Juda

When the money or hope runs out, there’s always one medium left: graffiti.

Amie Siegel's 'Strata', at South London Gallery until March 26th

What does the future look like for art online?

What does the future hold for art under Trump?

Nakedness and Nudity at the Photographers' Gallery

'Bad taste is only ever committed by other people'

"Singh wants to show you what’s hidden, and hide what’s on show."

Jacques Nimki on his Plinth commission

New discoveries amongst old friends and Old Masters

16th September - 23rd October 2016

'Fishbar is a bit of an anomaly'

Details of McCallum's immersive origami installation, 'Refraction'.

Alex Webb, Matt Black, Harry Gruyaert and more.

Philipp Ebeling and Olivia Arthur, 'London Ends' and 'Stranger'.

Plinth has corresponded with Jaray at length about her practice, her history and influences.