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Best in Show
What to see at Frieze London 2022
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Iran's Feminist Icons
Soheila Sokhanvari’s Rebel Rebel
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Fictitious Capital
Inside the salacious cruelty of Season Two of Industry
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Who Pulls the Strings?
On puppetry and sedition
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The Search
An interview with Andra Ursuţa
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Striking Gold with Olga de Amaral
"mist-like and mystical"
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The Girl with the Dog
On Milton Avery
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Endless Eggs
On Maria Bartuszová at Tate
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Rene Matić: upon this rock
'What saves us?'
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The Performance Problem
Out of the Margins at Whitechapel Gallery
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Flesh Jubilation
On Carolee Schneemann
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Change / Channel
"the technology of storytelling"
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Show me your bruises, then
On Zoë Buckman's BLOODWORK
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A Masterpiece to Pay the Rent
Welcome to Penny World
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Wow, that’s so postcard!
On Lydia Blakeley's 'The High Life'
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On Soft Acid
"seams, zippers, and stitching abound"
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Nope and the Spectre of the Spectacular
Has Peele lost his touch? Nope.
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Dead Cat Bounce
an oratorio about finance and catastrophe
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The Art of Not Giving a Fuck
From Raphael to TikTok
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Into the Black Fantastic
'an arresting sense of agency'
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Staged Whispers
"ASMR is the answer to all the questions we’re facing"
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The Stuff That Dreams Are Made On
"a form of lucid psychedelia"
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Can You Judge a Record by its Cover?
"off the domestic shelf onto the walls of the gallery"
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Everything Everywhere: the Multiverse Epidemic
"living in the Darkest Timeline"
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Is TikTok About to Change the Future of Cinema?
the social media giant cosies up to Cannes
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Vivien Zhang and the Paradoxes of the Digital Age
"repetition and malfunction"
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The Many Faces of Pabi Daniel
"vibrant colour on runway-ready figures"
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Letting Off Steam with Hew Locke's Procession
"the mindful vandal has struck again"
