"Black as tar, dull and still and reflective as a smart phone"

"Why is it a bad thing that this Noguchi retrospective feels like IKEA?"

"despite all this aggression and NSFW snapshots, it’s all a bit, well, cute? "

"Gee, now you mention it – nothing makes me part quicker from cash than hiking up a 25-metre hill!"

"engorged by their surroundings, tractor-beamed into their backgrounds"

"an abiding sense of something lost"

"death-by-a-thousand-cuts"

"That notion of Black Interior I find very heartening and inspiring. And, in a way, that's the place I've been trying to dwell"

"the equivalent of erecting a Health Food shop in the global village"

"Beeple’s historic sale at Christie’s is the art world equivalent of the horn-hatted dude storming the Capitol"

"I wanted to put the power back in their hands"

"The fact that Grayson’s Art Club seem so vital is a damning reflection of our cultural sector"

"the bizarre failures of others have been important landmarks"

"I’m very allergic to the idea of elitism within art"

"The bathroom is under siege"

"Wave to the nice oligarchs, children."

"Every silver lining has a cloud"

"Boseman is incendiary in his final role"

"they happen in a world just beyond ours, one that is marked by stillness and repose"

"hormone-addled awkwardness, ten-huts, and creepy copy-paste suburban housing"

"sandwiched between placards and riot shields"

"a tickle in the nose with no sneeze"

Gillian Wearing’s Lockdown at Maureen Paley

On Beyoncé’s Black Is King

The Design Museum is the closest we're getting to a nightclub right now

On Heather Phillipson's THE END

In his new film, Werner Herzog explores Japan's rent-a-family industry

As tensions rise over race and heritage, what should we do with those troublesome monuments?