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Chloe Ruchon

Chloe Ruchon undermines hierarchies In ‘Podihomme’, a series of unstable and interdependent podiums require first, second and third places to hold one another up, otherwise collapsing entirely such that all the occupants are on the same level. In ‘Barbie Foot’ (a pun in her native French on ‘le-baby foot’), the beaming dolls form a team, skewered by metal bars. While the bars join the team together, one can’t help but read in their peppy grins a wince of pain.

Chloe Ruchon