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Plinth - UK Art and Culture Magazine
Y2K Nostalgia
With love from Athen Kardashian & Nina Mhach Durban
Signalling Colour
Amelia Barratt’s
Cut Wire
at William Hine Gallery
Art in Prison
On 'No Comment' and 'A Tale of Two Cities'
Barry Flanagan. the works
Revisited by Assemble.
All Articles
Best London Art Exhibitions
The best exhibitions to see in London right now
Y2K Nostalgia
With love from Athen Kardashian & Nina Mhach Durban
Signalling Colour
Amelia Barratt’s
Cut Wire
at William Hine Gallery
Art in Prison
On 'No Comment' and 'A Tale of Two Cities'
Artist Fundraiser for MSF
All proceeds support the work of Doctors Without Borders (MSF) UK in Gaza
In the Sickbed
On Tracey Emin's ‘I followed you to the end’ at White Cube Bermondsey
'I Am the Last Woman Object'
On Nicola L. at Camden Art Centre
To Eat God and Feed
Natalia González Martin’s
Table Manners
at Hannah Barry Gallery
Casting Light
An interview with Alison Wilding
Gritty in Pink
On the work of
Ahren Warner
Dundee Marmalade
On
Victor Boullet at The Artist's Room
Beneath the Surface
An interview with Holly Hendry
Mourning Marsyas
On
Marlene Dumas at Frith Street
Youth Must Be Served
Why youth is the hottest commodity
Barry Flanagan. the works
Revisited by Assemble.
When In Rome
The Roman Empire's Having a Comeback
—
Will We Learn Anything from It?
Art for an Ice Cube
On the Paddington Square public
art programme
Game Changer
Francis Alÿs
Ricochets
at Barbican
One Man's Rubbish
On Lonnie Holley at Camden Art Centre
The I in Island
Dana Schutz at the George Economou Centre
It's Cruel to be Kind
On
Yorgos Lanthimos’s
Kinds of Kindness
2002
Laila Tara H at Cooke Latham
Sisters, Saints, Sibyls
Nan Goldin at 83 Charing Cross Road
A Ghost Dance
Harminder Judge at Matt’s Gallery and The Sunday Painter
Double-EDGD SWRD
On Harmony Korine
Better than Her
Spike Jonze's Her in the AI era
Just Desert
Hope and despair in an election year
Clay the Fool
An interview with William Cobbing
Blue Blazes
An interview with Massoud Hayoun
Seeds + Spells
On Anne Hardy and Sofía Salazar Rosales
Taylor Swift: Everyone's No One
On Why Taylor Swift Is So Popular
Out on a Limb
On Matthew Krishanu at Camden Art Centre
Lagoon with a View
On the 60th Venice Biennale 2024,
Foreigners Everywhere
Low Key Life
of intimacy and quietude
at Sid Motion Gallery
Less Is Morellet
On
François Morellet at Annely Juda
In the Swipe of an Eye
On Maja Djordjevic at Carl Kostyál
Under Your Skin
On Paloma Proudfoot at The Approach
Swollen Headed
On the work of Elinor Stanley
Kissing the Picture Rail
On Thea Djordjadze at Sprüth Magers
Meetings
On Vladimir Logutov's
Meetings
series
Passing Beauty
On Ben Rivers and Anocha Suwichakornpong’s
Krabi, 2562
Priscilla, Marie & Sofia
On Sofia Coppola's biopics
A Bitter Pill
On Pope.L's Hospital at South London Gallery
Done by Mirrors
On
Nathan Fielder and Benny Safdie's The Curse
Razzle Dazzle ‘Em
On Hannah Tilson’s
Lonely City
Wavemakers
An interview with the artist and Corner7 founder
Dogwood Leap
Polly Apfelbaum tells the story behind her first ever blanket
Samples
Plinth x Royal Society of Sculptors
The Faces in the Back
Nicole Eisenman at Whitechapel Gallery
The Wood for the Trees
Trevor Yeung's
Soft ground
Cyborgs in Hot Heels
On Sylvie Fleury's 'petrolhead fashionistas'
Weird Lil Guys
On Florian Meisenberg at Kate MacGarry
Wonderful People
Małgorzata Mirga
-Tas at Frith Street
Room to Breathe
an interview with Remi Ajani
Show Some Love
an interview with Sola Olulode
Come Over Here Rockface
Martin Wong's Malicious Mischief
Angels, ghosts, Tom and Jerry
an interview with
Pippa El-Kadhi Brown
Barbenheimer
Surface and Depth in 2023
Reflections for Now
Carrie Mae Weems at the Barbican
Keepers
Artists on sport
Lisa Milroy: a Correspondence
The artist speaks to Plinth about her latest exhibition
Of Mycelia and Men
Nour Mobarak Gods’ Facsimiles
Sea Air
On Beatriz Milhazes at Turner Contemporary
Bacchanalia Royale
An interview with Atticus Wakefield
Volcanic Planes
An interview with Caragh Thuring
Ghost in the Weave
An interview with Soojin Kang
Issy Wood's Denuded Realism
On 'Furni' at
Carlos/Ishikawa
Comfort Zone
On Hongxi Li
So Much For Our Happy Endings
Tom Harker at The Sunday Painter
Glitch Tapestries
Qualeasha Wood: TL;DR
at Pippy Holdsworth
How to Paint an Incel
an interview with Lorena Levi
Freaks to the Front
On Ugliness and Friendship
When AI Grows Up
an interview with Ian Cheng
Unlearning with Josef Albers
Nicholas Fox Weber on the Bauhaus master
Divine Frequency
an interview with Haroon Mirza
Crossroads
an interview with Serge Attukwei Clottey
Bathing in Geometric Forms
An Interview with Oliver Beer
TiChan
"There is no absolute truth in this world"
Gilded Dead Houseplants
an interview with Hernan Bas
Binge
An interview with Kristy M Chan
Horsing Around
An interview with Kate Groobey
Home Body
An interview with Tschabalala Self
Inside Assemble's Creative Process
an interview with Assemble
Feasting with Caroline Wong
"
For Wong, the parallels between eating and painting run deep"
The Search
An interview with Andra Ursuţa
How We Shot After Yang
an interview with Benjamin Loeb
Rene Matić: upon this rock
'What saves us?'
Dead Cat Bounce
an oratorio about finance and catastrophe
Staged Whispers
"ASMR is the answer to all the questions we’re facing"
The Many Faces of Pabi Daniel
"vibrant colour on runway-ready figures"
Staging Identity with Katinka Lampe
"the rejects on my camera roll"
Relevant and Alive with Sophie Ruigrok
"
a lot of art is tricks"
Danielle Dean's Amazon Rebellion
"
A collective moment occurs with energy and anger"
How Artists Are Reinventing Anna
'Anna was an enigma to me
'
Monstering with Suchitra Mattai
"I’m rewriting history"
We Need To Keep Derek Jarman’s Protest Alive
"
If anything, Jarman’s protest is only just beginning.
"
Chasing Rainbows with Betsy Bradley
"a dance between myself and the paint"
How Richard Wilson Made Slipstream
“
Slipstream
was that optimistic up and away"
The Clarity and Mystery of Manshen Lo
“One should feel the brush penetrating the paper without breaking it to make a good line”
Flying High with Jacob Hashimoto
"using kites opened the language of my work to huge possibilities."
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