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Magazine

In My Dan Flavin Era

"Flavin should be shown every winter"
It’s Our Party and We’ll Cry If We Want To

"between hysteria, parties and consumption"
TiChan

"There is no absolute truth in this world"
Every Tangle of Thread and Rope

"a potent scent akin to tar"

All Articles

In My Dan Flavin Era

"Flavin should be shown every winter"
It’s Our Party and We’ll Cry If We Want To

"between hysteria, parties and consumption"
TiChan

"There is no absolute truth in this world"
Every Tangle of Thread and Rope

"a potent scent akin to tar"
The Greatest Film of All Time

Reintroducing Jeanne Dielman
Gilded Dead Houseplants

an interview with Hernan Bas
Witching Hour

Inside The Horror Show at Somerset House
Binge

An interview with Kristy M Chan
Flotsam and Jetsam

On Veronica Ryan at Alison Jacques
Eat The Rich

On The White Lotus, Triangle of Sadness & The Menu
Horsing Around

An interview with Kate Groobey
Home Body

An interview with Tschabalala Self
Today's Gift, Tomorrow's Commodity

On Lloyd Corporation at Carlos/Ishikawa
Show and Tell

Live event
Inside Assemble's Creative Process

an interview with Assemble
Feasting with Caroline Wong

"For Wong, the parallels between eating and painting run deep"
Immaterial World

"a cross between Tekken 3 and PC Music"
Best in Show

What to see at Frieze London 2022
Iran's Feminist Icons

Soheila Sokhanvari’s Rebel Rebel
Fictitious Capital

Inside the salacious cruelty of Season Two of Industry
Who Pulls the Strings?

On puppetry and sedition
The Search

An interview with Andra Ursuţa
How We Shot After Yang

an interview with Benjamin Loeb
Striking Gold with Olga de Amaral

"mist-like and mystical"
The Girl with the Dog

On Milton Avery
Endless Eggs

On Maria Bartuszová at Tate
Rene Matić: upon this rock

'What saves us?'
The Performance Problem

Out of the Margins at Whitechapel Gallery
Flesh Jubilation

On Carolee Schneemann
Change / Channel

"the technology of storytelling"
Show me your bruises, then

On Zoë Buckman's BLOODWORK
A Masterpiece to Pay the Rent

Welcome to Penny World
Wow, that’s so postcard!

On Lydia Blakeley's 'The High Life'
On Soft Acid

"seams, zippers, and stitching abound"
Nope and the Spectre of the Spectacular

Has Peele lost his touch? Nope.
Dead Cat Bounce

an oratorio about finance and catastrophe
The Art of Not Giving a Fuck

From Raphael to TikTok
Into the Black Fantastic

'an arresting sense of agency'
Staged Whispers

"ASMR is the answer to all the questions we’re facing"
The Stuff That Dreams Are Made On

"a form of lucid psychedelia"
Can You Judge a Record by its Cover?

"off the domestic shelf onto the walls of the gallery"
Everything Everywhere: the Multiverse Epidemic

"living in the Darkest Timeline"
Is TikTok About to Change the Future of Cinema?

the social media giant cosies up to Cannes
Vivien Zhang and the Paradoxes of the Digital Age

"repetition and malfunction"
The Many Faces of Pabi Daniel

"vibrant colour on runway-ready figures"
Letting Off Steam with Hew Locke's Procession

"the mindful vandal has struck again"
Redefining Messy with The Worst Person in the World

"a refreshing change of pace"
Staging Identity with Katinka Lampe

"the rejects on my camera roll"
If Ye is Jesus, We Are the Romans

"everyone’s favourite maniacal narcissist"
Whatever Happened to Jules?

"relegated to the sidelines"
Relevant and Alive with Sophie Ruigrok

"a lot of art is tricks"
Danielle Dean's Amazon Rebellion

"A collective moment occurs with energy and anger"
Lonely Planets for a Lonely Planet

"imaginative escape and the curtailment of physical freedom"
How Artists Are Reinventing Anna

'Anna was an enigma to me'
Filmmaking and Feeling in The Souvenir Part 2

"What does it make you FEEL?!"
Monstering with Suchitra Mattai

"I’m rewriting history"
The old-fashioned, modern romance of Licorice Pizza

"In a city of stars, Alana is still waiting for her chance to shine"
We Need To Keep Derek Jarman’s Protest Alive

"If anything, Jarman’s protest is only just beginning."
Sophie Larrimore, Why So Many Poodles?

"O how far the noble poodle has fallen!"
The Horror of the Body in Julia Ducournau’s Titane

"Why is watching Titane so painfully magnetic?"
Chasing Rainbows with Betsy Bradley

"a dance between myself and the paint"
How Richard Wilson Made Slipstream

“Slipstream was that optimistic up and away"
All at sea with Lubaina Himid

"That grey sea glimpsed through the window"
The Clarity and Mystery of Manshen Lo

“One should feel the brush penetrating the paper without breaking it to make a good line”
Flying High with Jacob Hashimoto

"using kites opened the language of my work to huge possibilities."
On Mit Jai Inn’s Dreamworld

"By connecting his work with its environment, Mit aims to circulate positive energy between them"
Why Are People So Weird About Wes Anderson?

"Anderson's films are akin to Fabergé eggs"
Making Fur Fly: WeiXin Quek Chong's deepdreams_sublimed

"from niche kinks to the all-too-human desire for intimacy"
Bad Boy For Life: Duality in the work of Noah Davis

"Davis’ paintings toggle between chronicle and fable as compellingly as a daydream"
Inside Maggi Hambling's Sketchbook: 6am

"The ink hits the paper in unrepeatable, inerasable formations."
Bambou Gili's Nights in Shining Armour

"The levels of imposter syndrome do not bear thinking about."
Uncanny Edens | On Esther Janssen's Silence

"Black as tar, dull and still and reflective as a smart phone"
Review | The Unbearable Lightness of Noguchi

"Why is it a bad thing that this Noguchi retrospective feels like IKEA?"
Made on the Wing: Sophie Barber's Love Birds

"shrinking sculpture, people, places, into something you can hold in your hand."
Carlos Idun-Tawiah: the People's Choice

"highly stylised and yet utterly natural"
Portrait of an Artist: Hugo Huerta Marin x FKA Twigs

"I wasn’t looking for anything; she just started appearing in my life in different ways."
Review | Florian Krewer's ride or fly

"despite all this aggression and NSFW snapshots, it’s all a bit, well, cute? "
Bazaar Blends: An Interview with Hassan Hajjaj

"I like shooting in the street, you get a different vibe.
PlinthPlinth | Jinyong Park

"words slipping away from their referents"
Pitching The Mound

"Gee, now you mention it – nothing makes me part quicker from cash than hiking up a 25-metre hill!"
The Power of Seduction in the Work of Mahtab Hussain

"I wanted some of that power, because it’s seductive. How do I hold myself like that?"
The Reset: Megan Piper

"It’s not something you can X-ray"
In Broad Daylight: Margaret Courtney-Clarke

"using photography to find a listener for the people."
Michael Rakowitz and Daniel Taylor on 'April is the Cruellest Month'

"an inconvenient reminder in some ways of what really happens"
The Reset: Habda Rashid

"it comes down to really knowing the community you're working with"
Introducing Sketched

"a fresh glimpse of the creative process"
Disrupting the Male Gaze: An Interview with Carlota Guerrero

"it is crucial having women portraying women in order to change the game"
The Reset: Window Swap

"wanderlust, slow-looking, and trading places"
The Reality on the Ground

"These oil wells should have been a blessing, but they have become a curse"
20 Years of Eden

"from an incredible destination into a movement"
“The Suburbanisation of Life is Not the Only Solution”

"fervent exploration of unchecked suburban expansion"
‘The observer’ in us: Medina Dugger on art, activism, and optimism

"bold bursts of colour dot the cityscape"
Thread by Thread: An Interview with Anya Paintsil

"textile art is not a frivolous hobby"
No Justice = No Peace

Black Lives Matter
Gardener's World: A Botanical Obsession

How ceramicist Reiko Kaneko's green-fingered obsession found its way onto her new collection.
Degrees of Truth

Langlands & Bell at Sir John's Soane's Museum
Portraits of the Planet

"We’ve been adorning our bodies for millennia." Abe Odedina
Celebrating the Collective

"Courage Calls to Courage Everywhere." Millicent Fawcett
Elmgreen, Dragset and The Whitechapel Pool

"Humour lets us set new terms."
Osman Yousefzada, Being Somewhere Else at Ikon Gallery

"As the first generation you are always the sacrificial one and you have to bear fruit."

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